Richard Gere almost turned down the transformative role in the iconic film “Pretty Woman.”
At 75, Gere reflected on his initial hesitations, revealing a deeper insight into the complexity behind what many perceive as a feel-good romantic comedy.
Gere candidly confessed he “didn’t understand” his character, Edward Lewis, a dapper and affluent businessman. This moment of vulnerability speaks volumes about the creative process and the artist’s connection to their role.
“There was no character,” he remarked during an episode of “The Hollywood Reporter’s Awards Chatter” podcast, illustrating how the initial script left him feeling disconnected. To him, Edward was merely “just a suit.”
He admitted to feeling “uncomfortable” about meeting director Garry Marshall, driven by his preconceived notion that the role wasn’t meant for him. This insight into his mind at the time showcases the internal struggles many actors face—a battle against self-doubt in the face of potential success.
Yet, an unexpected turn occurred post their meeting. Gere recalled, “We started discussing the script, and I said, ‘Look, I just don’t see a character.’” It was during this pivotal conversation that Marshall’s reassuring words sparked a shared creative journey: “Let’s you and me find it.”
Julia Roberts had already been cast in her memorable role as Vivian Ward. During a meeting arranged by Marshall, a lighthearted moment occurred when Gere complimented Roberts, saying, “She’s adorable. She’s great.” In a spontaneous and charming gesture, Roberts humorously slid a Post-It note across the table that read, “Please say yes.” This playful communication transformed the atmosphere, demonstrating the human side of Hollywood interactions, where humor often dissolves tension and fosters connections.
Gere reflected, “We ended up… really trying to find a character there that made sense.” This collaborative spirit between the cast and crew provided fertile ground, allowing the relationship between Edward and Vivian to develop into something heartfelt, enchanting, and even provocative. “We all loved each other. Great trust,” he recalled, reminiscing about a time filled with creativity and mutual respect. Rarely do artists predict the lasting impact their projects will impart; the incredible success of “Pretty Woman” caught them all by surprise.
This cherished 1990 classic has secured its place in cinematic history, not just for the romantic narrative but for the poignant performances of its leads. Roberts earned her second Academy Award nomination for portraying Vivian. The chemistry between Gere and Roberts was palpable, leading them to reunite in the 1999 film “Runaway Bride.” Their enduring partnership is a testament to the power of authentic connection on screen.
For Gere, “Pretty Woman” isn’t just another credit on his resume; it represents a cherished chapter in his artistic journey. “I’m proud of that movie and proud of the work process that we did to create that movie,” he expressed. His gratitude for this film echoes in his acknowledgment of how it opened doors to various artistic opportunities. A fact that may surprise many: the film was originally conceived as a darker drama called “3000,” showcasing how a light-hearted romantic comedy can emerge from more somber beginnings, ultimately captivating audiences worldwide.
